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Polish Pavilion at the Malta Biennale 2026 Opens on 11 March with Weronika Zalewska’s “Archive of Hesitations”

Cztery osoby w studiu nagraniowym teleturnieju

"Liquid Tongues" project in the Polish Pavilion for Venice Biennale 2026

Autorzy projektu „Języki z wody” (od lewej): Ewa Chomicka, Bogna Burska, Jolanta Woszczenko, Daniel Kotowski

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The Adam Mickiewicz Institute brings Polish culture to people around the world. As a state institution, we create lasting interest in Polish culture and art through strengthening the presence of Polish artists on the global stage.

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Polish Pavilion at the Malta Biennale 2026 Opens on 11 March

On March 11, the Polish Pavilion will open in Valletta as part of the second edition of Malta Biennale. Poland will be represented by Weronika Zalewska’s project Archive of Hesitations – a video installation curated by Ada Piekarska. The project examines how knowledge, memory, and political imagination are shaped in an era of continuous 24/7 information flow. The exhibition will run until May 29.
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Poland-Romania Cultural Season 2024-2025 has ended

The first-ever bilateral Poland-Romania Cultural Season was a groundbreaking initiative in relations between the two countries. The Polish Ministry of Culture and National Heritage, the Adam Mickiewicz Institute and the Polish Institute in Bucharest, as well as the Romanian Ministry of Culture and the Romanian Institute of Culture, were responsible for the preparation and implementation.
Autorzy projektu „Języki z wody” (od lewej): Ewa Chomicka, Bogna Burska, Jolanta Woszczenko, Daniel Kotowski

"Liquid Tongues" project in the Polish Pavilion, Venice Biennale

“Liquid Tongues” will be presented at the Polish Pavilion at the 61st International Art Exhibition of La Biennale di Venezia in 2026. The installation invites the audience to move beyond familiar modes of perception and to engage in deep listening to marginalized languages, Deaf culture, and more-than-human forms of communication. The project will be on view from 9 May to 22 November 2026.

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