Between January and June 2025, in the period in which Poland held Presidency of the Council of the European Union, over 200 events took place in 30 European countries, with the participation of over 1,200 artists from Poland and abroad. The international cultural programme, implemented by the Adam Mickiewicz Institute owing to the involvement of the Ministry of Culture and National Heritage, became one of the key soft power tools of the Polish Presidency. It drew attention of over 350,000 of direct participants and consciously extended beyond the borders of the European Union, reaching such countries as Serbia, Georgia, North Macedonia and Moldova.
The “Records of Waiting” exhibition, transforming the intangible experience of the passing of time into the material substance of a sculpture installation, has been opened on 5 June in the Polish Pavilion at the London Design Biennale 2025. The curatorial team made up of Jakub Gawkowski, Monika Rosińska and Maciej Siuda draws on the woodcarving traditions of Poland’s mountain regions and uses ornaments to visually represent the process of waiting. Waiting is considered to be both a purely aesthetic and political experience. It is deemed a tool for exercising control, but also a potential empowerment enabler. The exhibition organised by the Adam Mickiewicz Institute will be open until 29 June 2025.
On 13 May 2025, the Polish Pavilion will transform into a cozy chamber inspired by a tepidarium—an area in ancient Roman baths designed for relaxation and social gatherings. Curated by Katarzyna Roj, head of “Lifery” at BWA Wrocław, the project brings the concept of a day spa to life, offering a retreat from the fast pace of everyday life and a moment of tranquility amidst the bustle of the event. The Adam Mickiewicz Institute is organizing the Polish Pavilion at the Triennale Milano International Exhibition for the fourth time.
The “Records of Waiting: on Time and Ornament” exhibition, transforming the intangible experience of the passing of time into the material substance of a sculpture installation will be opened on 5 June in the Polish Pavilion at the London Design Biennale 2025. The curatorial team made up of Jakub Gawkowski, Monika Rosińska and Maciej Siuda draws on the woodcarving traditions of Poland’s mountain regions and uses ornaments to visually represent the process of waiting. Waiting is considered to be both a purely aesthetic and political experience. It is deemed a tool for exercising control, but also a potential empowerment enabler. The exhibition organised by the Adam Mickiewicz Institute will be open until 29 June 2025.
On 13 May 2025, the Polish Pavilion will transform into a cozy chamber inspired by a tepidarium—an area in ancient Roman baths designed for relaxation and social gatherings. Curated by Katarzyna Roj, head of “Lifery” at BWA Wrocław, the project brings the concept of a day spa to life, offering a retreat from the fast pace of everyday life and a moment of tranquility amidst the bustle of the event. The Adam Mickiewicz Institute is organizing the Polish Pavilion at the Triennale Milano International Exhibition for the fourth time.
Another year of the Poland-Romania and Romania-Poland Cultural Season 2024-2025 – the first ever cultural cooperation between these countries with such an outreach – begins. From classical music, through contemporary interpretations of traditions, performative arts, theatre, visual arts, photography, and design, to literature – intense months laden with events are awaiting the Polish and Romanian audiences. Owing to the relationships established last year, the programme will be enriched with joint projects brought to life by Polish and Romanian artists.
On 14th January 2025, the international programme of the Polish Presidency of the Council of the European Union was officially inaugurated in Brussels. From January to June 2025, under the slogan ‘Culture Sparks Unity’, nearly 100 cultural events will take place in over 20 European countries. The programme, organised by the the Adam Mickiewicz Institute, will include both EU Member States and candidate countries, with most events planned in the Belgian capital.
The exhibition Peace Has No Home: Posters for Ukraine will be on display at Public Works Gallery in Chicago from September 8 to November 18, 2023. Works by artists from Poland and other countries, created, among others, as part of the 33 Letters for Ukraine project, express the support of the artistic community for the country attacked by Russia. The exhibition was prepared by The Spirit of Poland Foundation, Public Works Gallery and the Adam Mickiewicz Institute in cooperation with the Polish Institute in New York.
This year, the Polish Pavilion at the London Design Biennale presents ‘The Clothed Home: Tuning In To The Seasonal Imagination’ exhibition. Rooted in bygone Polish textile traditions and domestic rituals, the exhibition seeks to re-establish and cultivate a more attentive relationship with the natural world and its continuous changes. In the pre-electric era, before the accessibility of central heating and air-conditioning made residents inured to outdoor conditions, homes functioned as resonators helping them feel the cyclical rhythm of the year.
The exhibition features Polish designers working in synch with the Zeitgeist, crafting their products locally, drawing on tradition and crafts.This year, the Adam Mickiewicz Institute returns to Dutch Design Week, online edition, with a new edition of Let’s Exhibit! devoted to Polish design. Curated by Paulina Matusiak, the exhibition features Polish designers working in synch with the Zeitgeist, crafting their products locally, responsibly, drawing on traditional culture and crafts.